Monographs on photographers:
Alvarez Bravo, Manuel, Manuel Alvarez Bravo (Pasadena: Pasadena Art Museum, 1971).
___________________ , Photographs 1928-1968 (Mexico City: ComitŽ Organizador de los Juegos de la XIX Olimpiada, 1968).
Arbus, Diane, Diane Arbus (Millerton, NY: Aperture, 1972).
Bearden, Romare, The Art of Romare Bearden: The Prevalence of Ritual (New York: Harry N. Abrams, 1972).
Berman, Miecyzslaw, Photomontages (Milan: Galeria Arturo Schwarz, 1973).
Brandt, Bill, Perspective of Nudes (New York: Amphoto, 1961).
_________ , Shadow of Light (New York: Viking Press, 1966).
Brassa•, Transmutations (Paris: Galerie les Contards, 1967).
Delford Brown, Robert, First-Class Portraits (New York: First National Church of the Exquisite Panic Press, 1973).
_________ , Hanging (New York: First National Church of the Exquisite Panic Press, 1967).
Dutton, Allen, The Great Stone Tit (Tempe, AZ: Richard Dixon, 1974).
Gatewood, Charles, Sidetripping (New York: Derbibooks, 1975).
___________ , with Spider Webb and Marco Vassi, X 1000 (New York: R. Mutt Fine Art Publications, 1977).
Gowin, Emmet, Photographs (New York: Alfred A. Knopf, 1976).
Heartfield, John, Leben und Werk (Dresden: Veb Verlag der Kunst, 1971).
Heinecken, Robert, Are You Rea, 1964-1968 (Los Angeles: Privately published limited edition of 500 copies, 1968).
Hosoe, Eikoh, Kamaitachi: A Tragic Comedy (Tokyo: Gendaishichosha, 1969).
___________ , Ordeal by Roses (Tokyo: Shueisha, 1971).
Hujar, Peter, Portraits in Life and Death (New York: Da Capo Press, 1976).
Kertesz, AndrŽ, Distortions (New York: Alfred A. Knopf, 1976).
Kirstel, Richard, Extended Reality (Baltimore: University of Maryland Baltimore CountyLlibrary, 1976).
Krims, Leslie, The Deerslayers (Buffalo: Humpy Press, 1972).
______________ , Fictcryptkrimsographs (Buffalo: Humpy Press, 1972).
______________ , The Incredible Case of the Stack O' Wheats Murders (Buffalo: Humpy Press, 1972).
_______________ , The Little People of America (Buffalo: Humpy Press, 1972).
Kriz, Vilem, Sirague City (Berkeley: David McPhail, 1975).
Laughlin, Clarence John, Ghosts Along the Mississippi (New York: Scribner's, 1948).
__________ , The Personal Eye (Millerton, NY: Aperture, 1975).
Martone, Michael, Dark Light (New York: Lustrum Press, 1973).
Meatyard, Ralph Eugene, The Family Album of Lucybelle Crater (Millerton, NY: Jargon Society, 1975).
_____________ , Ralph Eugene Meatyard (Lexington, KY: Gnomon Press, 1970).
_____________ , Ralph Eugene Meatyard (Millerton, NY: Aperture, 1974).
Michals, Duane, Real Dreams (Danbury, CT: Addison House, 1976).
_____________ , Sequences (Garden City, NY: Doubleday, 1970).
_____________ , Take One and See Mt. Fujiyama and Other Stories (New York: Stefan Mihal, 1976).
Mortensen, William, Monsters and Madonnas (San Francisco: Camera Craft Publishing Co., 1936).
Samaras, Lucas, Photo-Transformations (New York: E.P. Dutton, 1975).
___________ , Samaras Album (New York: Whitney/Pace, 1971).
Sommer, Frederick, ÒPortfolio," aperture, Vol. 9, no. 3, 1961.
______________ , Frederick Sommer: 1939-1962 Photographs (NewYork: Aperture, 1963).
Tress, Arthur, The Dream Collector (Richmond, VA: Westover Publishing, 1972).
____________ , Shadow (New York: Avon Books, 1975).
_____________ , Theater of the Mind (Dobbs Ferry, NY: Morgan & Morgan, 1976).
Uelsmann, Jerry, Jerry N. Uelsmann (Millerton, NY: Aperture, 1973).
Waldman, Max, Max Waldman on Theater (Garden City, NY: Doubleday, 1971).
Walker, Todd, For Nothing Changes (Gainesville, FL: Privately published, 1976).
Weegee (Arthur Fellig), Naked City (New York: Essential Books, 1945).
_______________ , Weegee's Creative Camera (New York: Vista Books, 1959).
Weston, Edward, Edward Weston: Fifty Years (Millerton, NY: Aperture, 1973). Text by Ben Maddow.
Reference works:
Kayser, Wolfgang, The Grotesque in Art and Literature, translated by Ulrich Weisstein (New York: McGraw-Hill, 1957).
Parton, James, Caricature and Other Comic Art in All Times and Many Lands (New York: Harper & Bros., 1878).
Wright, Thomas, A History of Caricature and Grotesque in Literature and Art (New York: Frederick Ungar, 1968, reprinted from first edition, London, 1865).
