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Assorted Correspondence

Copyright Violation in Action: The Case of the Paul Kopeikin Gallery


Response from Marc J. Kopeikin, Esq., to AIPAD

What follows is a response from Marc J. Kopeikin, Esq., attorney for the Paul Kopeikin Gallery, to Robert Klein, President of the Association of International Photography Art Dealers (AIPAD), in relation to a letter sent by Klein to the Paul Kopeikin Gallery as the outcome of the AIPAD Board's deliberations on this matter. The specific contents of that confidential letter are not available, but its general thrust can be gathered from Marc J. Kopeikin's synopses and allusions.

My comments about it follow the letter itself.

-- A. D. C.
February 14, 2003

Law Offices of
Marc J. Kopeikin
A Professional Corporation
9454 Wilshire Blvd., Suite 600
Beverly Hills, CA 90212
Tel. 310-271-7675
Fax 310-271-7695

December 12, 2001

Robert Klein, President
AIPAD
1609 Connecticut Avenue, N.W.
Washington, District of Columbia 20009

Re: Dispute between A. D. Coleman and Paul Kopeikin Gallery

Dear Mr. Klein:

This office represents Paul Kopeikin and the Paul Kopeikin Gallery (hereinafter collectively the "Gallery") in regards to the dispute between Mr. A. D. Coleman and the Gallery regarding the Gallery's webite [sic], and with regards to the formal complaint filed by Mr. Coleman with AIPAD. Please direct any future correspondence or communication in this matter to my attention.

This letter is in response to AIPAD's letter to the Gallery regarding the dispute.

AIPAD is correct in taking the position that it cannot decide the legal issue as to whether or not the Gallery violated copyright law or otherwise infringed on Mr. Coleman's copyright rights. That issue will be adjudicated in a court of law should Mr. Coleman decide to push this matter further. In any event, without admitting any wrongdoing, the Gallery immediately removed off of its website all of the objectionable material that Mr. Coleman had complained of. (Emphasis in the original.)

I note from the letter that AIPAD has made no formal finding that the Gallery breached AIPAD's Code of Ethics and/or By-laws, but that the Board did determine that the Gallery's communication with Mr. Coleman was highly unprofessional.

Quite frankly, I am surprised that an administrative body such as the AIPAD Board could make any determination of this issue without hearing from both sides. If Mr. Coleman made a formal complaint to AIPAD, then the Gallery should have been provided with a copy of the complaint and given an opportunity to respond. The Board never gave the Gallery that opportunity, but instead considered evidence or documentation presented to the Board only by Mr. Coleman, without once considering the Gallery's position or communications sent to the Gallery by Mr. Coleman.

After reflecting on the communications between the Gallery and Mr. Coleman, the Gallery sent Mr. Coleman a formal apology. That formal apology should have ended the matter. But it did not. Evidently the Gallery's formal apology was not enough for Mr. Coleman, and he seems intent on making a mountain out of a molehill. So be it.

As far as the Gallery is concerned, this matter is over. Paul Kopeikin and Mr. Coleman exchanged some words over their differences of opinion as to the website, and Mr. Kopeikin apologized.

In the future, should AIPAD decide that this matter requires an administrative hearing, then it is expected that such a hearing will be conducted according to AIPAD's By-laws, with both sides represented and with both sides having an opportunity to be heard in a fair and impartial hearing.

Please be advised that the Gallery reserves all of its rights and legal remedies should AIPAD take any punitive action against the Gallery or Mr. Kopeikin without such a hearing.

Very truly yours,
/s/ Marc J. Kopeikin, Esq.

Most usefully, Marc Kopeikin once again provides admissible evidence that my copyrighted material did indeed appear at the Kopeikin Gallery website, with his acknowledgement that, "without admitting any wrongdoing, the Gallery immediately removed off of its website all of the objectionable material that Mr. Coleman had complained of." (See his letter to me at the link above for his earlier admission.) According to the U.S. Supreme Court, the very appearance of my material there without permission constitutes a violation of my copyright; hence this attorney's qualifying clause, "without admitting any wrongdoing," is rendered null and void by his stipulation to the act itself.

Marc Kopeikin's assertion that the question of "whether or not the Gallery violated copyright law or otherwise infringed on Mr. Coleman's copyright" would need to be "adjudicated in a court of law" is a misstatement of fact. On June 25, 2001, the U.S. Supreme Court ruled that even the publisher of a printed version of a text has no legal right to put it online without the copyright holder's permission. (See the communication from the National Writers Union, posted at the link below.) Clearly, then, a merchant with no prior connection to the material has no legal right to distribute bootleg versions thereof via the internet.

That's the law of the land. We can charitably assume that the expertise of the Kopeikin Gallery's legal counsel does not lie in the area of copyright law; presumably, if it did, when said attorney was first consulted about this corporation's plan to put all this pirated material up at the Kopeikin Gallery website he'd have notified his client that he would be breaking the law by doing so.

The "apology" from Paul Kopeikin referred to in this letter can be found at the link at the beginning of this sentence, along with my analysis and explanation of what makes it unacceptable.

As it happens, I do agree with this attorney on something: The Paul Kopeikin Gallery should certainly have received from the AIPAD Board a copy of the casebook I put before them as supporting evidence for my formal complaint, and should have had a chance to respond thereto. The failure of AIPAD's Board to follow such basic procedures remains unexplained -- and, to my mind, inexplicable.

-- A. D. C.
February 14, 2003

 

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