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Slow Boat in China (2)

Unimaginable that — except as explicit satire — 100 writers and artists from the former Soviet Union would inscribe by hand today the loathesome principles set forth by Zhdanov and enforced thereafter by his goon squads. What a bizarre reaffirmation of a long-discarded set of prescriptions and proscriptions this book represents, then — a self-abasing modern version of the obligatory “loyalty dance” performed under his portrait as a morning ritual by all mainland Chinese citizens at the height of Mao’s cult of personality. […]