Let me add that I would not and will not castigate anyone for accepting this position [Chief Curator at the Center for Creative Photography]. The state of the economy aside, the CCP is a unique repository and a major institution in photography. Running it, whether as Director or Chief Curator, is a dirty and dangerous job, subject to the well-documented machinations of a cluster of verifiable weasels. But someone’s got to do it. […]
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If you’re reading this, then obviously Jesus Christ did not consider you worthy of ascent to Heaven with Him in the Rapture. You’re doomed, in short, to stay around until the middle of the fall semester. And, as part of your punishment for your sins, you’ll receive these missives from me with updates about the lunacies and shenanigans of your colleagues in our little corner of the universe. […] In a confidential out-of-court settlement this past March, William “Wild Bill” Turnage of the Adams Trust pledged to stop calling Team Norsigian names while Team Norsigian promised to stop using Ansel Adams’s name to validate the anonymous negatives Rick Norsigian bought at a yard sale. Turnage has, at least publicly, kept his part of the bargain. Whether Team Norsigian has done the same I can’t say for sure. […] The Ansel Adams Publishing Rights Trust, PRS Media Partners, LLC and Rick Norsigian appear to have decided to bury the hatchets ― or at least to have achieved a Mexican standoff. They’ve asked the Court to dismiss the Trust’s complaint and Team Norsigian’s counterclaim without prejudice. A spokesperson for Team Norsigian has assured me that (a) the team’s authentication efforts will continue ― under the guidance of recognized experts, one hopes, and involving strict forensic testing ― and (b) that they will continue to press their lawsuit against the University of Arizona-Tucson charging illegal civil conspiracy. […] |
 SPJ Research Award 2014All content of this publication is © copyright 2009, 2010, 2011, 2012, 2013, 2014, 2015, 2016, 2017 by A. D. Coleman unless otherwise noted. All materials contained on this site are protected by United States copyright law and may not be reproduced for commercial purposes without prior written permission. All photos copyright by the individual photographers. "Fair use" allows quotation of excerpts of textual material from this site for educational and other noncommercial purposes.
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David W. Streets . . . He’s Baaaaaaaaaaaaaaack!
The triumphant return of David W. Streets to the limelight does not bear on the Norsigian-Adams contretemps, but on a brand-new situation: the 1980 garage-sale purchase by one Anton Fury of anonymous negatives of Marilyn Monroe and Jayne Mansfield. Streets has, so far, behaved in a more circumspect manner than he did with the arguable “Ansel Adams” negatives. Instead of proposing authorship or pretending to other expertise, as he did with the Norsigian material, Streets is . . . crowdsourcing. […]