The evidence, then, suggests that while his connection to Robert Capa mattered deeply to Morris on both personally and professionally, for Capa the relationship on those levels proved more peripheral — at least until the brief year between his hiring of Morris for Magnum and his death in Vietnam. Not a two-way street, in short, though Morris takes pains to intimate otherwise. […]
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Robert Capa’s habit of self-invention proved contagious for John Morris, his self-styled “adopted brother,” both of them prone to the condition Steven Colbert named “truthiness,” which he formally defined as “the belief in what you feel to be true rather than what the facts will support.” […] It is now about 57 years since Bob admitted to me that he had “taken a swing” at the guy [John Morris], so I am really hazy about this. Bob never went into details and although this loss [of his D-Day film] was obviously an event he would never forget, his philosophy was that “Life is too short to hate anyone or bear a grudge.” […] [My late husband Bob Landry made no published] comment … about the Normandy invasion. He did tell me that his film had been lost through the incompetence of a guy in the London office who was supposed to make secure arrangements for its delivery to London. [This would have been John Morris, then assistant picture editor in LIFE’s London darkroom. — A. D. C.] […] |
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