Herewith a shout-out to photographer Lynn Goldsmith, who won an extremely important battle over copyright issues and “fair use” that will serve as a precedent in many ongoing and future cases. […]
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A bit further on (and, in a historian, this is unforgivable), Robert Kershaw actually changes Capa’s own words to conform Capa’s account to the misleading version concocted by Richard Whelan, Capa’s official biographer. … That’s not revisionist historianship; it’s corrupt historianship, inexcusable. […] |
 SPJ Research Award 2014All content of this publication is © copyright 2009, 2010, 2011, 2012, 2013, 2014, 2015, 2016, 2017 by A. D. Coleman unless otherwise noted. All materials contained on this site are protected by United States copyright law and may not be reproduced for commercial purposes without prior written permission. All photos copyright by the individual photographers. "Fair use" allows quotation of excerpts of textual material from this site for educational and other noncommercial purposes.
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Polaroid Collection: Update 24
A most perplexing series of grandiose, self-flattering, and wildly inaccurate statements has appeared in a press release posted at the website of WestLicht Schauplatz für Fotografie in Vienna, the museum that acquired the portion of the former Polaroid Collection designated by the Trustee for the Minneapolis Bankruptcy Court as the “Swiss Assets,” which resided until recently in the holdings of the Musée de l’Elysée in Lausanne, Switzerland. My concern remains the issuance of false and misleading statements that, inevitably, go viral and contaminate the knowledge base. […]