Though it did not center around Capa’s D-Day photos and the related myths, this book’s author felt it necessary to address our research, if only to dismiss it. When even the author of a bit of Capa trivia finds it necessary to engage with our deconstruction of the Capa D-Day legend, that’s progress, and it augurs well for the future of Capa studies. […]
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Lavoie does not intend to contribute to or assess the actual substance of Capa-related research, merely to comment on its semantics. He contents himself with analyzing the language in which that research gets conducted, in order to show that it contains aspects of forensic and juridical rhetoric. Therefore … what, exactly? […] On June 6, 2018, the aptly named website Artsy.net published “Photographer Robert Capa Risked It All to Capture D-Day — then Nearly All His Images Were Lost,” by Haley Weiss, under its “Visual Culture” rubric. It consists, in its entirety, of a rehash of the Capa D-Day myth, simply rewritten from one or more of the standard versions that our research project has thoroughly refuted. […] |
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Cabin Fever 2018: Bits & Pieces (b)
Among the enduring mysteries of my professional life (e.g., How do you make a decent living at this? and Who’s the good critic?) I have counted what seemed to me the adamant refusal of French scholars to use my chosen nom de plume, substituting instead my first and sometimes second names, one or another of them (or both) possibly misspelled. […]