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Ends and Odds Again and Again

Given that the Museum of Modern Art has studiously ignored me and my critique of its policies and practices for most of the past half-century, I’ve found it both surprising and charming to have my name and work crop up in two separate MoMA projects over the past year. […]

Shenzhen Economic Daily Interview, 2007 (a)

I have always imagined my own “average reader” as a reasonably educated and literate member of the general public, broadly interested in cultural issues. Of course I sometimes write specifically for, and am read by, people who work professionally in the arts, and for the audience for contemporary art. But I would not want to have my own writing restricted to that segment of the population, and I don’t think the public discussion of photography should be limited to its function as an art form. […]

Clarence John Laughlin: In Memoriam (2)

I know dozens of photographers over fifty years old who never got their due and are beginning to realize that they may never get it. After three or four or five decades of work, they begin to wonder if, in the current public feasting on photography, there are any scraps for them. […]

Spring Fever 2016: Bits & Pieces (2)

On the Friday of Memorial Day weekend here on Staten Island we suddenly plunged from a chilly spring straight into hot summer. Nothing gradual about it. I was ready for some warm, but I prefer a slow slide into it and a slow climb out. And our then-recently planted veggies seemed skeptical about the sharp […]

Photo Ed: Awaiting the Millennium, 3 (1989)

More and more, teaching artists and art teachers (these are not synonyms) work under short-term contracts of two years or less, moving continuously from job to job. Their tenuous hold on stability is further undermined by the evolution of an underclass of freelance pieceworkers: part-time teachers willing to work for next to nothing, with no protection or benefits. […]