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Guest Post 28: Charles Herrick on Capa’s D-Day (j)

This sequence of events partially explains the mystery of why it took 15 hours after the Chase anchored in Weymouth Bay for Capa’s film to reach LIFE’s assistant picture editor John Morris in London. Seven to eight of those hours were consumed by the simple challenge of Capa getting off the USS Samuel Chase and getting his film to the press message center. […]

Guest Post 27: Charles Herrick on Capa’s D-Day (h)

For those die-hards who cling to Capa’s “First Wave With Company E” myth, Fuller’s inaccuracies have become sacred truths. The fact that Capa himself affirmed he was on the Chase, not the Henrico, has had no effect on their delusions. […]

Guest Post 27: Charles Herrick on Capa’s D-Day (g)

Between Charles Hangsterfer inaccurately placing his D-Day landing time at least an hour too early — an extremely common tendency in later oral histories — and his assertion that he saw Capa still behind a tank on the beach, his story has helped distort and confuse the Capa timeline. […]

Alternate History: Robert Capa on D-Day (40b)

This makes the Capa portions of Landing on the Edge of Eternity a sorry display of little more than copying and pasting that masquerades as historical research and analysis. […]

Alternate History: Robert Capa on D-Day (38)

On June 6, 2018, the aptly named website Artsy.net published “Photographer Robert Capa Risked It All to Capture D-Day — then Nearly All His Images Were Lost,” by Haley Weiss, under its “Visual Culture” rubric. It consists, in its entirety, of a rehash of the Capa D-Day myth, simply rewritten from one or more of the standard versions that our research project has thoroughly refuted. […]