My first posts for the year wrapped up my coverage of Election 2012 with commentary on images of the second inauguration of Pres. Barack Obamai in January ’13. Subsequent topics included the sources of artspeak and photospeak; social promotion and grade inflation in post-secondary art and photo programs; Robert Heinecken’s contributions to the medium; the Kennedy clan pimping J.F.K, Jr. to the media from childhood on; the photographers who replicate the work of painters; the myth of the “photo community”; rude and unprofessional behavior from the Lucie Awards, and more. […]
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@adcoleman@hcommons.social
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To fully exploit his global name recognition and the free visual branding that he achieved with the help of hundreds of volunteer photo collagists (including yours truly), I suggest that John Pike should consider a career in politics. He may be a liberal goat, but he became an overnight conservative hero. The right wing loved him for unleashing their ’60s-vintage fury at college students in general. […] In his 1968 book The Joys of Yiddish, Leo Rosten defined chutzpah as “that quality enshrined in a man who, having killed his mother and father, throws himself on the mercy of the court because he is an orphan.” In that spirit (though he’s not Jewish), John Pike, formerly a lieutenant in the campus police at the University of California, Davis, filed a worker’s compensation claim with the State of California for “psychiatric injury,” which can result in post-traumatic stress disorder (PTSD). […] Preoccupation with curation and management of “The Silent Strength of Liu Xia,” the touring exhibition of 26 photos by the dissident Chinese photographer, artist, and poet, also included design, publication, and content development of a substantial website for that project. That led to my putting various plans for this blog on hold. I have nothing else of that magnitude on the runway, so I’m returning to those ideas with renewed energy. […] |
 SPJ Research Award 2014All content of this publication is © copyright 2009, 2010, 2011, 2012, 2013, 2014, 2015, 2016, 2017 by A. D. Coleman unless otherwise noted. All materials contained on this site are protected by United States copyright law and may not be reproduced for commercial purposes without prior written permission. All photos copyright by the individual photographers. "Fair use" allows quotation of excerpts of textual material from this site for educational and other noncommercial purposes.
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Pepper-Spray Cop: Update (b)
Do you suppose one might reasonably infer some connection between a school that, under Annette Spicuzza’s guidance, dramatically underreports sexual assault, a local judiciary that dramatically underpunishes it when a privileged white frat boy is concerned, and the campus atmosphere that nurtured this rapist? And would you consider it unreasonable to hold Spicuzza accountable for that in some degree? […]