Roy DeCarava’s work itself — and what I might call the situation of that work in the field of photography when I came to it in the late 1960s — presented me with some important challenges as a writer about photography, and a chance to define in public some fundamental principles of my own project as a critic and historian. Few people understand what such an opportunity means to a critic, and how rarely it comes along. […]
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We lost Bill Jay this spring. He died peacefully in his sleep on Sunday, May 10, 2009 in Samara, Costa Rica, where he’d set up residence. He was born in London in 1940. I got to know Bill after he left England (where he’d served as the first director of the Institute for Contemporary Arts in London and also worked under the late Colin Osman as the first editor of the germinal UK magazine Creative Camera. In 1970 he founded the short-lived but extremely influential UK magazine Album. […] |
 SPJ Research Award 2014All content of this publication is © copyright 2009, 2010, 2011, 2012, 2013, 2014, 2015, 2016, 2017 by A. D. Coleman unless otherwise noted. All materials contained on this site are protected by United States copyright law and may not be reproduced for commercial purposes without prior written permission. All photos copyright by the individual photographers. "Fair use" allows quotation of excerpts of textual material from this site for educational and other noncommercial purposes.
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