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Alternate History: Robert Capa on D-Day (29)

Capa’s images show Armored Assault Vehicle 10 in no more than two feet of water, the one ahead of it in even shallower water. Later newsreel images will show them both in different position, further disproving Capa’s claim that Armored Assault Vehicle 10 was severely damaged. I’ll examine those images an upcoming post. […]

Alternate History: Robert Capa on D-Day (23)

Without exception, the recipients of the 2014 Society of Professional Journalists Awards exemplify the real deal. On major and minor platforms, in print and broadcast and online media, as staff or freelance/independent, they pursued issues they considered important, undertook investigations that sometimes lasted for months, often made enemies, but challenged authority, separated hard fact from self-serving fiction, and spoke truth to power. The award to us takes it as a given that we belong among them, as equals and colleagues. Speaking for the team, we cherish that association above all. […]

Alternate History: Robert Capa on D-Day (22)

I’m pleased and proud to announce that this ongoing investigative project, with its working title of “Alternate History: Robert Capa on D-Day,” has just received the 2014 Society of Professional Journalists Sigma Delta Chi (SDX) Award for Research About Journalism.

As its website indicates, “The Society of Professional Journalists, founded 1909, is a professional organization […]

Guest Post 15: J. Ross Baughman on the NPPA (b)

In the best kinds of journalism today, I always hope that a well-seasoned writer will help his subjects’ points of view to shine through it all. Unfortunately, in this latest exercise from the National Press Photographers Association, Bruce Young and Donald Winslow concentrated too much on their own preconceptions. […]

Guest Post 15: J. Ross Baughman on the NPPA (a)

I provided the National Press Photographers Association with timelines and an A-to-Z list of Capa’s D-Day offenses, expecting that these would be effectively condensed in what editor Donald Winslow described as a major feature story for the very next issue of the magazine. Several of my points survive in the nine-page story they created, certainly one of the longest articles I’ve ever seen the magazine publish during my 40 years as a professional photojournalist. Of course I was deeply disappointed when the thrust of my discoveries was diluted, scattered, and dismissed. […]