As should be obvious to even the most casual visitor, I don’t produce this blog for dumb-and-dumber types who call people “dude” and think suckxmyxkiss@yourserverhere.com is a clever email address, nor for self-absorbed Brit-twit fashionista wannabes convinced the world takes an interest in where they shit. How on earth did these twerps find their way here? Another mystery of the intertubes. Immanuel Velikovsky was right: See what can happen when universes of discourse, definitely not parallel, collide? […]
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In selling a work of visual art — a painting, a sculpture, a photographic print — the artist doesn’t commonly sell the IP rights thereto. The artist gets to benefit for decades from the licensing of all IP rights to the work, as do his heirs and assigns. Presumably the artists cheering on the follow-up rights campaign don’t intend to give any share of that income to collectors of their works. But shouldn’t that be part of any droit de suite deal? […] |
 SPJ Research Award 2014All content of this publication is © copyright 2009, 2010, 2011, 2012, 2013, 2014, 2015, 2016, 2017 by A. D. Coleman unless otherwise noted. All materials contained on this site are protected by United States copyright law and may not be reproduced for commercial purposes without prior written permission. All photos copyright by the individual photographers. "Fair use" allows quotation of excerpts of textual material from this site for educational and other noncommercial purposes.
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