Bob Landry’s landing film was not lost, nor is it missing. It’s right before our eyes. We don’t recognize it as such because we expect his first film to show scenes from D-Day. But there is no Landry film from D-Day, for the simple reason that, apparently, he did not land on D-Day. Certainly there is no evidence that he did. […]
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Capa’s surviving photos gave no evidence of the onslaught that had hit the beaches, and instead would raise doubt about the strength and significance of the landings. In short, they were precisely the kind of images the Allies wanted the Germans to see. And there’s small chance that was a matter of coincidence. […] Morris’s various tellings of the saga of Capa’s films omitted entirely a vital matter, that of censorship by the Supreme Headquarters Allied Expeditionary Forces (SHAEF). Any undeveloped film coming in from correspondents at the front was assumed, as a minimum, to be classifiable as secret material, so the handling of Capa’s film would both begin and end on the censors’ desk. […] Richard Whelan’s work on all matters related to the subjects of Robert and Cornell Capa should be considered fatally compromised and entirely unreliable, except when their overall narratives and specific claims can be verified by credible outside sources. It will take decades to undo the contamination of the literature on Robert Capa that traces directly to Whelan’s efforts on Cornell Capa’s behalf. […] As our research has made clear, ICP has to this day assiduously avoided even the most elementary investigation of Capa’s D-Day materials. Eschewing such inquiry effectively constitutes a passive obstruction of research. But Cornell Capa also took an active, aggressive approach to that same end. […] |
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