The fact that this roll, along with the other films most likely classified top secret, got developed in LIFE‘s darkroom under the supervision of not just darkroom chief H. C. “Braddy” Bradshaw and LIFE staff photographer Hans Wild but also a SHAEF custody officer, precludes any possibility of some fatal neglect during processing. […]
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Capa’s surviving photos gave no evidence of the onslaught that had hit the beaches, and instead would raise doubt about the strength and significance of the landings. In short, they were precisely the kind of images the Allies wanted the Germans to see. And there’s small chance that was a matter of coincidence. […] Prior to his centennial confession to James Estrin of the New York Times that our conclusions in this investigation have proved correct in almost every particular, John Morris worked feverishly to cover his tracks. This ill-conceived effort took the form of a series of madcap variations on his original fable of the famous emulsion melt that purportedly ruined Capa’s D-Day negatives. […] |
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