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Diana’s Death, Revisited (3)

Photographers have rights, which must be identified and protected. They also enjoy privileges that can be withdrawn at any time by widespread public agreement and legislation. The subjects of photographs also have rights, which also must be identified and protected. And some of those rights of subjects absolutely supersede the rights of photographers. […]

Ends and Odds Again and Again

Given that the Museum of Modern Art has studiously ignored me and my critique of its policies and practices for most of the past half-century, I’ve found it both surprising and charming to have my name and work crop up in two separate MoMA projects over the past year. […]

New Documents, Revisited (b)

Collectively, Arbus, Friedlander, and Winogrand revised the ways in which photographers used their cameras, which changed the look of the resulting photographs, and that they made the photographer’s participatory role in the photographic event a foregrounded given, which transformed both the behavior of photographers and the way we interpret their work. […]

New Documents, Revisited (a)

This non-political, anti-theoretical posture denies categorically and consistently that such photographs are in any way about their literal subject matter, insisting instead that photographs are entirely about themselves and in no way concerned with either the photographer’s inner life or whatever took place in front of the lens at the moment of exposure. As a stance, it became not just widespread but almost mandatory among practitioners of this genre of photography. […]

PRC Founder’s Talk (2)

I’ve spent some time in recent years pondering the word citizenship. This began when a good friend pressed me to define the public function of criticism more precisely. To my considerable surprise, I heard myself explain, “It’s the activity of responsible citizenship within a given community.” Though I’ve worked as a professional critic for close to thirty years, I hadn’t known I believed that. […]