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Guest Post 28: Charles Herrick on Capa’s D-Day (k)

Morris’s various tellings of the saga of Capa’s films omitted entirely a vital matter, that of censorship by the Supreme Headquarters Allied Expeditionary Forces (SHAEF). Any undeveloped film coming in from correspondents at the front was assumed, as a minimum, to be classifiable as secret material, so the handling of Capa’s film would both begin and end on the censors’ desk. […]

Dirty Pictures: The Curator Meets the Censors

To my surprise, I’ve ended up appreciating this film. It’s distant enough in time to take a measured, meditative look at this cultural moment. The Culture Wars constituted one of the rare moments in American history in which photographs and photography took center stage in the national consciousness. It was the medium’s most “teachable moment” to date. If I wanted to take a class of students back to that moment, to teach it myself again today some two decades down the line, I might well start with this movie. […]