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Cleaning Out the Fridge

Let me add that I would not and will not castigate anyone for accepting this position [Chief Curator at the Center for Creative Photography]. The state of the economy aside, the CCP is a unique repository and a major institution in photography. Running it, whether as Director or Chief Curator, is a dirty and dangerous job, subject to the well-documented machinations of a cluster of verifiable weasels. But someone’s got to do it. […]

CCP Job Opening: Caveat Emptor

If you’re reading this, then obviously Jesus Christ did not consider you worthy of ascent to Heaven with Him in the Rapture. You’re doomed, in short, to stay around until the middle of the fall semester. And, as part of your punishment for your sins, you’ll receive these missives from me with updates about the lunacies and shenanigans of your colleagues in our little corner of the universe. […]

Cowflop from the Adams Herd (5)

William Turnage ― who earns his handsome salary from the Trust on the presumption that he understands what a Trust’s regulations do and don’t allow ― didn’t know that a trustee can’t revoke a Trust’s provisions on whim. Thus, while Turnage clearly didn’t intend his attack on Katharine Martinez and the Center for Creative Photography as ineffectual, it turned out that way ― due to his ignorance and professional incompetence. Which inefficacy he now claims as a defense. The mind boggles. […]

Cowflop from the Adams Herd (4)

William “Wild Bill” Turnage, Managing Trustee of the Ansel Adams Publishing Rights Trust, has publicly gone into full CYA mode. Turnage wants to reverse the now-widespread perception of himself as a vindictive thug, consequent to the scandalous disclosure of his despicable manipulation of Katharine Martinez, director of the Center for Creative Photography, and his corruption of the administration of the University of Arizona-Tucson, whose library system houses and governs the CCP. […]

Team Norsigian Accentuates the Negative (19)

Going full-steam-ahead into Year Two of the brouhaha over “the lost negatives of Ansel Adams,” Team Norsigian has added the University of Arizona as a defendant in its countersuit against the Ansel Adams Publishing Rights Trust. This inclusion of the UofA in the countersuit comes as no surprise. In fall 2010 Arnold Peter, legal counsel for Rick Norsigian, forced the disclosure of a chain of email correspondence between William “Wild Bill” Turnage, Managing Trustee of the Adams Trust, and various functionaries at the Center for Creative Photography and the UofA (which houses the CCP). That correspondence makes it absolutely clear that Turnage blackmailed the CCP’s newly installed director, Katharine Martinez, into reluctantly signing an inappropriate and prejudicial public statement discrediting Norsigian’s claims regarding the glass-plate negatives he bought at a yard sale in Fresno and has attributed to Ansel Adams. […]