I’m pleased and proud to announce that this ongoing investigative project, with its working title of “Alternate History: Robert Capa on D-Day,” has just received the 2014 Society of Professional Journalists Sigma Delta Chi (SDX) Award for Research About Journalism.
As its website indicates, “The Society of Professional Journalists, founded 1909, is a professional organization […]
I don’t aspire to greatness as an artist, or even to consideration in that category. If I’ve exceeded your expectations of the rewards of engaging with criticism, I’d prefer to think that I’ve expanded your definition of what criticism can do, rather than that I’ve stepped into some parallel universe and switched roles. […]
If it’s acceptable (or not) for painters to work from photographs, and to replicate closely or paraphrase broadly the iconography of photos, do photographers get to do (or not do) the same with paintings? And, if they do, why do all the complaints about image appropriation seem to come from the photography side of the spectrum? […]
There’s a direct relationship between the klutziness in the handling of visual imagery and the demographics of the Republic Party and its subsets. Bluntly put, if I wanted intelligent advice on effective and persuasive 21st-century mass communication via visual and electronic means, I wouldn’t expect to get it from over-40 Caucasian small-town midwestern and southern males and females. […]
I have the greatest respect for Gray as a Dylan scholar. I’ve actually read the print version of his hefty 2006 Bob Dylan Encyclopedia from cover to cover; it’s eccentric but, overall, brilliant. It also contains the following statement, on page 433: “Jazz musicians generally regarded the blues, too, as beneath them, and thereby disqualified themselves from playing any of it well.” This is one of the most deeply ignorant comments about jazz by a renowned writer on popular music that I have read in my entire life. […]