I left the country just once this year, for the Athens Photo Festival in early June. Aside from that, I left New York City only twice, both times to receive awards — the first at the Society of Professional Journalists dinner at the National Press Club in Washington, DC, on the evening of June 26, for our team’s Capa D-Day project, the second to Philadelphia on November 7 for The Photo Review Award 2015. […]
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The diatribe of photographer and Magnum member Patrick Zachmann exemplified perfectly the knee-jerk defensiveness with which representatives of what I’ve come to call the Capa Consortium respond to any challenge to the Capa legend. One member of the audience asked me if I’d paid Zachmann to prove our point; I had to answer that he’d done so with no prompting from me. […] |
 SPJ Research Award 2014All content of this publication is © copyright 2009, 2010, 2011, 2012, 2013, 2014, 2015, 2016, 2017 by A. D. Coleman unless otherwise noted. All materials contained on this site are protected by United States copyright law and may not be reproduced for commercial purposes without prior written permission. All photos copyright by the individual photographers. "Fair use" allows quotation of excerpts of textual material from this site for educational and other noncommercial purposes.
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Alternate History: Robert Capa and Magnum (1)
Magnum has straightforwardly become a privately owned capitalist venture, with the photographers as stakeholders. When Patrick Zachmann denounced me in Athens, therefore, he did so to protect his own investment and those of his business partners, as any elementary Marxian analysis would conclude. […]