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2015: That Was The Year That Was

Before and in between the Capa posts, the subjects addressed here this year included the graphic videos and still images of its horrific executions distributed by ISIS/ISIL; painters imitating photographs and photographers imitating paintings; the zombie apocalypse of the early months of the Republic Party’s battle royal for its presidential candidate 2016; the Athens Photo Festival 2015; the degradation of the post-secondary art-education system; the preservation of photographers’ archives; new technological developments in the world of the Internet of Things (IoT); the FHRITP meme; and divers other subjects. […]

2014: That Was The Year That Was

Unexpectedly, the dismantling of the myth of Robert Capa’s adventures on Omaha Beach on D-Day, June 6, 1944, and the subsequent fate of his negatives became the year’s main project at this blog. I also took up the collapsing market value of post-secondary degrees in studio art and photography; the willful, mindless destruction of an excellent example of such a program in Vevey, Switzerland, which I witnessed firsthand; the photographic strategies and style(s) of Shelby Lee Adams vs. his claim to documentarian status; and the insidious agenda of the “internet everwhere” tendency. […]

Birthday Musings 12/19/14

Professionally speaking, this past year proved unusually uneventful, even by recent standards. Travel no longer holds much attraction for me (been there, done that), so I welcomed the chance to spend most of the year here at home, enjoying the changes of the seasons and our daily routines. […]

2013: That Was The Year That Was

My first posts for the year wrapped up my coverage of Election 2012 with commentary on images of the second inauguration of Pres. Barack Obamai in January ’13. Subsequent topics included the sources of artspeak and photospeak; social promotion and grade inflation in post-secondary art and photo programs; Robert Heinecken’s contributions to the medium; the Kennedy clan pimping J.F.K, Jr. to the media from childhood on; the photographers who replicate the work of painters; the myth of the “photo community”; rude and unprofessional behavior from the Lucie Awards, and more. […]

Return of the Prodigal

I’ve begun to consider the possibility that my brain does manage to wrap itself around these evolutionary shifts in digital technology without extreme difficulty. Which in turn suggests that perhaps this recurrent process helps to keep my brain active and young (or, more precisely, youth-like) by pushing me to learn new skills, to replace old habits with new or revised ones, and in one way or another to get some exercise for the mind. In short, I’ve begun to weigh the mental-health benefits of living la vida digital, with its steady reconfiguring of my neural pathways. […]