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Alternate History: Robert Capa on D-Day (32)

This definitely positions Chris Boot as a member in good standing of the Capa Consortium, that cluster of institutions and individuals committed to perpetuating the Capa myth. […]

Alternate History: Robert Capa and John Morris (e)

If, as we are regularly encouraged to do, we pay heed to the lives and works of Robert Capa and John Morris, then, in the spirit of the field of journalism in which they both worked and to which they declared their commitment, we should do so “warts and all.” The fabrication of their D-Day myth has a prominent place among those blemishes. […]

Alternate History: Robert Capa on D-Day (31)

Bruce Young’s article on the Capa D-Day project, and the publication thereof by the National Press Photographers Association, constitute a textbook case of breach of professional ethics — made all the more egregious by NPPA’s posturing as a leader in ethical matters. […]

Alternate History: Robert Capa and John Morris (d)

Prior to his centennial confession to James Estrin of the New York Times that our conclusions in this investigation have proved correct in almost every particular, John Morris worked feverishly to cover his tracks. This ill-conceived effort took the form of a series of madcap variations on his original fable of the famous emulsion melt that purportedly ruined Capa’s D-Day negatives. […]

Alternate History: Robert Capa on D-Day (30)

Clearly, we still have much work to do if we hope to dislodge this fable from the mythology of photojournalism and photo history — not to mention the larger D-Day into which it has become so thoroughly woven. Yet there’s grounds for hope, that “thing with feathers.” […]