Nearby Café Home > Art & Photography > Photocritic International

Alternate History: Robert Capa on D-Day (32)

This definitely positions Chris Boot as a member in good standing of the Capa Consortium, that cluster of institutions and individuals committed to perpetuating the Capa myth. […]

Shenzhen Economic Daily Interview, 2007 (b)

From a structural or theoretical standpoint, I think that China does not at present have a clear sense of what constitutes the actual history of photography in China. On the one hand, this has a certain liberating effect, leaving photographers and artists seemingly beholden to no particular traditions. On the other hand, it leaves them rootless and disconnected from the past and their own culture’s photographic history. […]

Shenzhen Economic Daily Interview, 2007 (a)

I have always imagined my own “average reader” as a reasonably educated and literate member of the general public, broadly interested in cultural issues. Of course I sometimes write specifically for, and am read by, people who work professionally in the arts, and for the audience for contemporary art. But I would not want to have my own writing restricted to that segment of the population, and I don’t think the public discussion of photography should be limited to its function as an art form. […]

Alternate History: Robert Capa and John Morris (e)

If, as we are regularly encouraged to do, we pay heed to the lives and works of Robert Capa and John Morris, then, in the spirit of the field of journalism in which they both worked and to which they declared their commitment, we should do so “warts and all.” The fabrication of their D-Day myth has a prominent place among those blemishes. […]

Alternate History: Robert Capa on D-Day (31)

Bruce Young’s article on the Capa D-Day project, and the publication thereof by the National Press Photographers Association, constitute a textbook case of breach of professional ethics — made all the more egregious by NPPA’s posturing as a leader in ethical matters. […]