Apparently you intend to “professionalize the work of the CEPV students and to improve their relationship to the field” by removing them in their culminating third year from the guidance of an unprecedented group of established high-profile professional names in those various territories of photography — famous and influential senior figures whose connection to these students can benefit them in many ways — and instead placing those students under the strict supervision of a cluster of Swiss nonentities. The pedagogical rationale for this escapes me. [...]
Never underestimate the long-term havoc that determined arts-education careerists can wreak in a short time, or the permanent damage (including financial damage) such rampaging functionaries can do to students, faculties, programs, and even entire schools. [...]
What I find hard to bear about Tim Hetherington and Sebastian Junger’s Afghan War film “Restrepo” is the utter pointlessness of what these young men were asked to do (and did), the squandering of their time and in some cases their very lives, the traumatic situation into which the military thrust them and whose psychic consequences they will bear for the rest of their days. They need make no apologies for their behavior, individually or collectively. But what has been done to them, and what they were asked to do, I consider unforgivable. [...]
Photonic impaction, the problem with lenses created by the accumulation over time of stray photons, afflicts lens instruments other than cameras. While the problem is well-known among astronomers (related, perhaps, to the still-hypothetical photon belt), it does not occur ― save in rare cases ― in the field of microscopy. Simply put, lenses pointed up appear prone to impaction, while lenses pointed down generally do not. [...]
On Sunday, March 5, I went looking for my shakerful of Robert Heinecken.
The Museum of Modern Art had scheduled its long-overdue but nonetheless welcome Heinecken retrospective, “Object Matter,” for the next evening, March 6, and — having participated in last year’s “Scholar’s Day” devoted to his work at MoMA — [...]