The only disappointment on the otherwise momentous and joyous occasion of Donald Trump’s first-ever indictment on criminal charges? NYC D.A. Alvin Bragg decided, presumably for strategic reasons, to forego not just public documentation of the arrest and processing but also the production and distribution of the standard mug shot of the accused. […]
|
Follow me on Mastodon:
@adcoleman@hcommons.social
 |
For the first time in over half a century I have (a) my very own resident groundhog but (b) no designated local season prognosticator of the woodchuck persuasion. Hence a dilemma I faced this past February: Who to believe about the advent of spring? […] A week from now, on the evening of April 17, Douglas I. Sheer, president of the critically acclaimed series Artists Talk On Art, will conduct a virtual interview with me, hosted via Zoom. I invite all readers of this blog to join me for this event, which is free and open to the public. There’s no registration required; just log in via the link below, shortly before 7 p.m. EST: […] With Nikki Haley’s announcement of her candidacy the 2024 campaign has officially started. And, in my opinion, the imagery that will affect this election has already begun to emerge. So I’ve decided to throw my photo-critical hat into the ring once more on this subject, and to do so even earlier this time around. […] |
 SPJ Research Award 2014All content of this publication is © copyright 2009, 2010, 2011, 2012, 2013, 2014, 2015, 2016, 2017 by A. D. Coleman unless otherwise noted. All materials contained on this site are protected by United States copyright law and may not be reproduced for commercial purposes without prior written permission. All photos copyright by the individual photographers. "Fair use" allows quotation of excerpts of textual material from this site for educational and other noncommercial purposes.
Published by Flying Dragon LLC.
|
Springing Forward: Bits & Pieces
Ironic that in the case of Warhol Foundation v. Goldsmith an otherwise astute member of the court’s liberal minority, Justice Elena Kagan, should offer a surprising arrogant and patronizing dissent that pretends to art-historical savvy while merely parroting postmodern “theory” and art-market rationales. […]