[In the fall of 1995 I received a review copy of the new Diane Arbus monograph, Untitled, just published by Aperture. Planning to review it, I sought answers to several legal and structural questions its production and publication raised. Becoming suspicious when I proved unable to get satisfactory answers — indeed, any answers at all […]
Most significant in his response to my review of his 1985 Robert Capa biography is Richard Whelan’s refusal here to consider, or reconsider, the technical implausibility of the London darkroom explanation, a mistake he inexplicably continued to compound right up to 2007. […]
I’m pleased and proud to announce that this ongoing investigative project, with its working title of “Alternate History: Robert Capa on D-Day,” has just received the 2014 Society of Professional Journalists Sigma Delta Chi (SDX) Award for Research About Journalism.
As its website indicates, “The Society of Professional Journalists, founded 1909, is a professional organization […]
The surrealist photocollages of Allen A. Dutton began to circulate in the 1960s, linking him to a cohort in photography that, collectively, challenged the photo establishment’s dictates regarding acceptable subject matter and content while, simultaneously, extending the range of approved craft practices. This put him in the company of Jerry Uelsmann, Les Krims, Arthur Tress, Bea Nettles, and other transgressive spirits expanding the definition of photography. […]
I took the assignment of writing this annual round-up of events in the photo world as an opportunity to create a time capsule of sorts for users of Collier’s Encyclopedia. I just came across the one that appeared 40 years ago in the 1975 edition of the Yearbook, synopsizing the year 1974 (and the last months of of 1973). Here it is. […]