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Alternate History: Robert Capa on D-Day (32)

This definitely positions Chris Boot as a member in good standing of the Capa Consortium, that cluster of institutions and individuals committed to perpetuating the Capa myth. […]

Shenzhen Economic Daily Interview, 2007 (b)

From a structural or theoretical standpoint, I think that China does not at present have a clear sense of what constitutes the actual history of photography in China. On the one hand, this has a certain liberating effect, leaving photographers and artists seemingly beholden to no particular traditions. On the other hand, it leaves them rootless and disconnected from the past and their own culture’s photographic history. […]

Shenzhen Economic Daily Interview, 2007 (a)

I have always imagined my own “average reader” as a reasonably educated and literate member of the general public, broadly interested in cultural issues. Of course I sometimes write specifically for, and am read by, people who work professionally in the arts, and for the audience for contemporary art. But I would not want to have my own writing restricted to that segment of the population, and I don’t think the public discussion of photography should be limited to its function as an art form. […]

Ken Ohara: Extreme Portraits 1970-1999

Early this year Miyako Yoshinaga, a Chelsea gallerist, invited me to attend the March 2nd opening of a mini-retrospective, “Ken Ohara: Extreme Portraits 1970-1999,” and meet the photographer. She seemed surprised when I accepted. But I sensed something ceremonial about the occasion, and thought I should go. […]

APAG Seminar 2017

The first thing I want from you, as the person in charge of materials that you hope to place in an archive or as the person managing an archive, is to to do no harm — to think long and hard before you throw anything away. And, preferably, to consult with people who understand and work with archives before you discard anything. Because you can’t possibly know, or anticipate, what I will find important when I get there. […]